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If you’ve the slightest familiarity with these kinds of test plots you’ll realise that the top ‘FFT Waterfall’ by itself represents a sophistication and density of data that could only be dreamt of by the poor soul sat listening manually to sine sweeps or test tones. Remembering to close the lid of the harpsichord can make a surprisingly large difference to the shape of your waterfall plot! And on the left is a list of the measurements themselves, every one derived from its own separate sine sweep. The tabbed sidebar at the right-hand side gives information and configuration options for individual measurements or graphs. They’re easy to create, reorder and delete. Three graphs fitted comfortably on my screen for this shot, but in fact any number can be open concurrently, and are then just a scroll away. The exact provision of graphs in the central column is a matter of personal choice, but there are also some preconfigured templates such as ‘Studio’ and ‘Live Sound’ on hand to get you started. The screenshot shows a typical FuzzMeasure view.
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One of its windows represents a single ‘.fume4’ document, which contains the audio recordings associated with one or many sine-sweep measurements, as well as all the various customisable visual analyses that go along with it. Fuzzy LogicįuzzMeasure is a supremely clean-looking application. You can, of course, use it to analyse the frequency response of studio hardware as well, though unlike specialised, purpose-built test equipment, it will be dependent on the behaviour and specs of your audio interface.
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SuperMegaUltraGroovy’s FuzzMeasure 4.0 is OS X-only software that analyses recordings of self-generated sine sweeps to produce an array of graphs and charts, designed to reveal different aspects of room behaviour. What many studio DIY-ers would find useful is more hard data, and that’s where the subject of this review comes in.
Some loudspeaker manufacturers will also sell you relatively expensive proprietary room-correction systems, the value of which is not universally agreed upon. That traditionally leaves a few options, including ‘hit and hope’ installation of acoustic treatment products, trying to subjectively judge level changes in slow sine sweeps, or measuring room size and letting physics dictate which frequencies and locations could be worst affected.
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The problem of course is that few home- and small-studio owners can justify the expense of bespoke design by a professional acoustician. And if achieving that justifies a few Hobnob-related calories, so much the better. Having a good room to mix and track in, with excessive bass energy absorbed and standing waves and flutter echoes dispersed, can make a world of difference to the final quality of the mixes that emerge from it.
If there’s something we’ve all learnt from the pages of SOS over the years, it’s that for most studios, well-judged acoustic treatment matters at least as much as gear, and perhaps even more so. Interconnects: Unbalanced Phono – Unbalanced Phono 0.The first step towards treating room acoustics is identifying the problem areas - and that’s where FuzzMeasure can help. Unit Tested: Sony MDS-S40 MiniDisc Recorder Moreover, the mixed phase response seems to be implying that the algorithm is splitting the signal into several parts and processing them separately. Also, there is a slight low-pass filter in operation. The algorithm seems to high-pass the audio at about 17KHz and gradually rolls off until the effects of aliasing can been seen around 21-24KHz. Most notably, the large amount of harmonic distortion that is added. There are some very interesting results in the sweep. I can make this depending on how many people want it. In this case, I have not made the convolution. I thought it would be an interesting idea to run some sine sweeps through my old Sony MDS-S40 MiniDisc recorder to see exactly what the compression algorithm is doing. ATRAC stands for Adaptive Transforming Acoustic Coding and is a psychoacoustic lossy format. Its demise was also partly due to it’s compression format “ ATRAC“.
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However, as time has past, MiniDisc has fallen away from popularity and now is pretty much unused due to the invention of portable SD card recorders. Prior to this, there wasn’t a consumer friendly alternative to the tape for recording music.
I remember getting my first MiniDisc player/recorder when I was quite young.
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